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Printer manufacturers exert a lot of effort making sure that the dots are small; that they combine with other dots to mimic thousands of distinct colors; that they dry fast enough so they don t spread, run, or smear; and that the paper is optimized to handle the ink s chemical characteristics It s a very technical business Nonetheless, we generally don t have to worry about most of that stuff What matters is that they create stunning output and they re pretty affordable, typically running between $100 and $500 (though professional-caliber inkjets can cost thousands of dollars) I often run into people who are concerned about inkjet quality based on experiences they had with older printers from the late 1980s or early 1990s But as I mentioned earlier, those fears are relatively unfounded today Inkjet technology has improved to the extent that it can be really difficult to distinguish between a 35mm print and a quality inkjet print made on photo-grade paper My walls are covered with digital images that I ve printed, matted, and framed (see Figure 15-3) No one can tell the difference

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BubbleJets and inkjets are the same thing You may see the term BubbleJet when shopping for a printer, but BubbleJet is simply the name that Canon gives to its inkjet printer line Canon claims they made up the name because the company uses a slightly different ink deployment technology, but the bottom line is that it s just a name Consider BubbleJets to be inkjets by every relevant measure

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The smallest segment of the printer market is occupied by dye-sublimation printers (also called dye-subs for short) Look inside a dye-sublimation printer, and you ll see a long roll of transparent film that appears to be sheets of red-, blue-, yellow-, and gray-colored cellophane The film is composed of solid dyes corresponding to the four basic colors used in printing: cyan, magenta, yellow, and black (CMYK) The print head heats as it passes over the film, causing the dyes to vaporize and permeate the glossy surface of the paper before they return to solid form Since the dye actually gets absorbed and goes just below the surface of the paper, the process is called dyesublimation Because the color infuses the paper, it is also less vulnerable to fading and distortion over time Bottom line: the results from dye-sub printers are nothing short of stunning they typically look just as good as 35mm prints and even magazine photos The downside is that they re not much good for printing text, so your dye-sub printer will have to be a second printer, which you only use when you re expressly printing photos For me, a bigger disadvantage is that dye-sub printers typically only create 5 7-inch or perhaps 8 10-inch prints nothing larger Also, the selection of printer models is much more limited and much more expensive You can find some printers in the $500 range, but full-page 8 10-inch prints require bigger printers that range over $1,000 These printers are more commonly used in the professional arena, where publishers can inexpensively make test prints that show what output from the final printing press will eventually look like Make no mistake: Output from dye-sublimation printers looks great But given all the disadvantages, I think you re better off choosing an inkjet And since pictures from inkjets look so good just about as good as from a dye-sub there s hardly a reason to choose otherwise.