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Taking pictures of people can be fun but intimidating It s hard to get a natural pose from people when they know they are being photographed The best way to capture good portraits is to work with your subjects so they are a little more at ease If you re trying to capture spontaneous, candid moments, then back off and try to blend in with the background If you re trying to capture a fairly formal-looking portrait, you have a little more work cut out for you It s up to you as the photographer to put your subjects at ease Talk to your subjects and get them to respond If you can get them to loosen up, they ll exhibit more natural responses and look better on film Take pictures periodically as you pose your subjects to get them used to the shutter going off, even if it isn t a picture you intend to keep I should mention that digital cameras have a cool advantage for portraiture that SLRs don t: the LCD display lets you put your subject more at ease Try framing your picture using the LCD display, keeping the camera some distance away from your face That leaves you free to interact with your subject without having an intimidating camera obscuring your head

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Some cameras such as the Nikon CoolPix 995 have a shift program mode Your camera has this if you set it to program and then see an asterisk appear next to the P in the LCD display when you turn the camera s settings dial Shift program mode lets you shift the shutter speed up or down while in program mode The camera automatically adjusts the aperture setting, so you can tweak the exposure without sacrificing the camera s ability to ensure a properly exposed picture

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The best way to capture portraits is typically with the medium telephoto lens: in the 35mm world, that would be about 100mm For a typical digital camera, that s near the maximum magnification for your zoom lens I also suggest that you work in aperture priority mode if that is possible for your camera Aperture priority will allow you to change the depth of field quickly and easily as you frame your images Specifically, good portraits have very shallow depth of field You want to draw attention to the subject of your picture, and leave the background an indistinct blur Figure 3-15, for instance, demonstrates shallow depth of field in a fairly candid portrait You can t see the effect of aperture on depth of field in the optical viewfinder, but the LCD display can show you the depth of field To see, press the shutter release halfway down That locks in the focus and triggers the aperture to close to the proper position for the impending picture It s now with the shutter halfway depressed that you can see the depth of field in your picture

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Action photography is often considered the most exciting kind of photography, but it s also the most demanding for both your technique and your equipment As in all kinds of photography, you can no doubt take some great pictures with anything from a wide-angle lens all the way up to the photographic equivalent of the Hubble telescope And wide-angle lenses do, in fact, have a role in action photography But the essence of many action shots is a highly magnified immediacy something you can only get with the telephoto lens

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